Know your space before you get there.
Clyq’s AI learns the real place you’re shooting in and builds it for you. Then you step in: add your model, do the makeup, style the hair and the clothes, place the light — and see the whole set, exactly as it will look in real life, before you ever set foot in it.
Example direction
The same look lands differently in every space.
Makeup, hair, wardrobe, light and framing can all look different from one space to the next. Clyq learns the real place first, so you can test your look inside it — before shoot day.
Start with your idea.
Place it in your space.
Make it work there.
“Cream knitwear, short dark hair, dewy skin, soft nude lip — in a white studio, hard window light from the right, shot at 85mm.”
3 references addedDirection A
Direction BUpload visual references and describe the shoot you want to create — mood, model, look.
Add the real place you’re shooting in, then set every detail inside it.
Adjust the look inside the space and align the team — arrive knowing it works there, before the physical shoot begins.
Join the waitlistDecide everything inside the space.
Six parts of a fashion production, explored inside your real space in Clyq.
Makeup
Try lip colors, adjust liner and eye makeup, and see them in the light of your real space.
Hair
Explore hairstyles, adjust texture and detail, and see how the hair shapes the whole look in that space.
Wardrobe and styling
Test outfit combinations, colors and accessories against the real colors of the space.
Lighting
Work with the light your space actually gives — its direction, softness and mood, hour by hour.
Space
Start with the real place itself: its size, its walls, its windows — learned by Clyq before you build anything in it.
Photography
Explore framing, composition and photography styles from inside the space, before you stand in it.
Change something. See what the space does.
A look at the Clyq experience. Pick an example prompt and watch the shoot change inside its space.
Example preview. The live simulator is coming.
Find out in the preview, not on the day.
The same creative questions, answered inside the space — before production.
- Visual references scattered across Gmail, Instagram, group chats and folders
- A makeup direction never seen in the room’s real light
- Several lighting ideas, with no space to test them in
- Styling discussed without the room it will be shot in
- The space itself, met for the first time on shoot day
- Your real space, learned and rebuilt before production
- Makeup and styling options you can compare — in that space’s light
- Lighting and set ideas you can test against its real windows and walls
- Adjustments made through prompts
- A clearer direction before the shoot begins
Surprises in a space are what cost money.
Explore the direction inside the real space, test the details, and refine the vision before the team arrives on set.
Fewer unnecessary reshoots
Find out what the space does to the look while it is still a preview.A lip color that fights the light in that room, caught on a screen instead of in the final edit.
Fewer last-minute changes
Settle the look for the space before the team is standing in it.The coat, the hair or the backdrop gets decided days ahead, not the morning of.
Less experimenting on set
Try the options inside the space ahead of time, not on the clock.Compare the same look at 10 a.m. and 4 p.m. instead of rebuilding the setup one at a time.
Visual problems found earlier
See clashes in color, light and styling — in the space — before they cost anything.A hairstyle that hides the collar, or a frame that cuts off the detail you came to shoot.
Better preparation
Arrive already knowing the place.Everyone knows the lip, the light, the space and the frame before the first shot.
Everyone arrives knowing the space.
Not just the same moodboard passed around. Every person on the shoot has already done their part inside the real space — so when they arrive, they arrive knowing.
Photographer
Has already seen the shot through the lens: the frame, the focal length, the proportions, and where the light falls. They know exactly what they’re coming to shoot.
Makeup artist
Has already worked on the model’s face inside the space, in its real light. They know what the makeup needs to do before they open a kit.
Stylist
Has seen the clothes against the real walls and colours of the space, and settled what works in that room.
Creative director
Has seen the whole shoot together inside the space, and the direction is settled before the day, not argued on it.
Model
Has seen the space, the look and the mood, and knows where they’ll stand and what the shoot needs from them.
Set designer
Knows the room’s true size: what fits, what can be built, and where everything goes.